The Improv Life: I Wanted to be a Musician, But Comedy Came Easier

The Improv Life: I Wanted to be a Musician, But Comedy Came Easier

I wanted to be a badass lead guitarist who plays Marty Friedman like guitar solos, just one after the other, a flurry of fretboard genius and virtuosity that the guitar and I merge into one being.

Alas, that was not for me.

Comedy came easier to me. It was a more natural fit. I knew what I needed to do without being educated about what I needed to do. The instinct was there.

Years of watching movies on HBO, SNL reruns on Comedy Central, and tons of Simpsons had given me enough examples of what was funny and how to execute it.

My parents were funny too (in their own way) but I just didn’t know it. They would argue and dissect everything, throwing jabs or inserting jokes wherever possible.
They were also great observers of human behavior, always looking for the awkward things beneath the surface, trying to sniff out who was trustworthy or not.

So I did have a comedy education of sorts. But I still wanted to be a lead guitarist! I’ve tried on and off throughout the years, and it is fun to play, even more rewarding to learn a song or see progress.

But my growth in comedy compared to my growth in music was like racing to the Moon in a rocket ship designed by Reed Richards of the Fantastic Four versus a mule pulling a wooden cart with stone wheels, and one of the wheels is wonky because of a chipped edge, making the ride off kilter.

But like that’s life. You have to accept your weaknesses to embrace your strengths. It’s a parodox. Not that you can’t develop a weakness into a strength, but it will take way longer, longer than you imagined, and if you put that effort into developing your strength instead, your strength will explode, more than you thought yourself capable of. I know, it’s a parodox.

Anyways, I’m going to go listen to Steely Dan now because I’m in my 30s. Cheers.

#improv #music #strengths #weakness #growth #progress #rock #metal #journey #class #nature #nurture #life #paradox #steelydan

Standard

The Improv Life: The Biggest Benefits of Keeping an Improv Blog

The Improv Life: The Biggest Benefits of Keeping an Improv Blog

I’ve been blogging about my improv journey for almost 7 years. Here’s what I’ve learned after all that time.

1. I’d be lying if I remember every improv show, every set. What I remember most are moments and lessons – this blog is a way to record those moments and lessons.

2. You can be really affected by a class, show, or lesson, but it’s easy to forget it. Insights are transient. They arrive, blow your mind, and then they’re gone.

2a. Writing them down will make sure you retain some part of it.

2b. Plus, you can share your insights with the larger community and put some good out there.

2c. General rule for putting good out there: just do it, then do it again when you can, and repeat. Under no circumstances expect anything in return.

2d. Also, my insights are valid. Not saying they’re all game changers, but imposter syndrome will trick you into thinking that your experience has nothing of value to share with the world.

2e. My experience has value, so does yours.

3. Besides blogging about my insights, I also write about my journey.

3a. The specific is the universal. Meaning, I hope you can relate to parts of my highly specified, very personal journey.

3b. The more personal, the more people can connect to it. (That’s a rule applicable to most writing).

4. There are things in this journey that surround improv, things that happen off stage – rehearsals, team dinners, karaoke nights, driving up to the Clubhouse with Frankie Estrella, doing bits and talking wrestling the whole time. These and more are part of the journey, and they leave me affected, my art as well. It’s all connected I guess.

5. This blog, therefore, is a notebook to jot down my insights before I lose them, and a journal to archive important moments of my journey.

6. Basically, this blog is for me, to chronicle my journey, where I’ve been, what I’ve done, and what I’ve learned.

6a. That’s a great reason to start a blog.

7. I encourage you to chronicle your journey as well.

See you next time,

Fernando

#improv #impro #writer #lessons #notebook #journal #diary #insights #teacher #director #wisdim

Standard

The Improv Life Ep.9 with David Escobedo – Fernando’s Improv Podcast

Lots of insights and revelations in this episode. It’s a good one! Check it out!

The Improv Life Ep.9 with David Escobedo

Welcome to Episode 9 of the Improv Life Podcast 

Man, today I had a very special guest. Literally, one of my favorite people in the whole world – David Escobedo, global improviser. Also, this was my first international podcast as David is in England!

Me and David go a ways back since we were both producers for Spectacles Improv Engine, a now defunct theater in Orange County, CA, USA. David and I produced a show called Ladies and Gentlemen, and ever since then I’ve been in awe of the guy. 

David is simply amazing. David is on the front lines of the global improv movement. He’s connecting with improvisers from all over the world, connecting with them and collaborating with them, discovering new ways to play and work with another. 

His Facebook page, The Improv Boost, is one of the most active and visited Facebook pages for improvisers across the world. David is a community builder, and The Improv Boost is proof of that. 

In this podcast, we talk about his improv journey, his recent experiences in the UK Improv Scene, his most recent insights and revelations, and much more.

Listen on SoundCloud

Here’s What We Talked About

  • Why it’s nice to have your name pronounced correctly 
  • The Mexican Food in England and where the good spots are
  • David’s experience as a Mexican-American man from San Diego in England
  • How there is a lack of awareness of Mexican culture in England, and how this ignorance causes people in the UK to celebrate Mexican culture with the things they know about it, which unfortunately are stereotypes, and how David has to educate people about his culture
  • David’s journey to becoming a global improviser
  • How David walking away from a theater that did not give him back the love he was pouring into it may have been one of the best things he’s ever done
  • Why he started The Improv Boost, and that by starting The Improv Boost he has transcended whatever box or finite boundaries a singular improv theater may have wanted to confine him to
  • Powerful quote: “When they mean family, they mean kingdom.” – Me, reflecting on David’s idea of theaters weaponizing the idea of family to keep students in line. 
  • David’s experience in arriving to the England Improv Scene and how it was five years behind the American Scene in terms of some of the community standards of holding people accountable and dealing with toxic leaders and their “petty empires.” 
  • Powerful quote: “It’s so important for people to realize that their journey in improv is not as someone’s student, but as their own journey in improv.” – David talking about why it’s important for people to study with a lot of people and focus on their development as an improviser, not as a disciple of a specific teacher or identifying with a certain community 
  • David’s encounter with tribalism in the UK Improv Scene and how he combatted it 
  • How the sense of classicism is different in England and how that affects how improv teams and communities develop
  • David leading by example in England and showing other groups how they can work together to elevate each other
  • How the British Improv Scene is developing independent of influence from the American Scene
  • How the Keith Johnstone school of improv is more prevalent in England and how that’s influenced the style over there 
  • How David’s experience in England has opened up his eyes to new ways to doing improv 
  • Individuality vs. Dividuality = Western culture vs Eastern culture 
  • Dividuality – your actions affect a larger community 
  • “Status is expressed how we treat other people” – David Escobedo 
  • You can’t learn to be more creative; you’re just as creative as you are. But you can unlearn to be uncreative – David echoing Keith Johnstone 
  • How people seek gurus but how they should be their own leader 
  • Some of the turnoffs David experienced while studying at some of the big LA improv schools 
  • How David to learn improv on his own, and reflecting on how he could create space for others 
  • The pitfalls of teaching, coaching, and directing 
  • The kind of teachers you should avoid at all costs 
  • The relationship between skills and community, and how Gurus sell one more than the other but how you have to have both 
  • How the UK improv scene is beginning to have conversations about boundaries as being inspired by the Me Too movement that happened in the US and forced improv theaters to have conversations about sexual harassment and create policies to combat it and create safe and inclusive spaces
  • Key quote – “You can have vulnerability without having boundaries” – Brené Brown 
  • How England’s long history and tradition creates a conservative environment that makes it hard to have open and direct conversations about difficult topics like sexism and racism 
  • Key quote – “Allow yourself to suck at something new…in the risk is where the genius happens” – David Escobedo
  • How Americans have to have more humility about our improv and how we relate to the global improv scene 
  • David’s overall experience in the UK, how it is being an American in the UK and having to explain America’s politics to UK folk, and the next parts of his journey 

It was awesome having David on the show, and I can’t wait to see where his journey takes him. Thank you for being on the show, brother! 

Resources 

Here are some of the different Facebook pages David mentioned at the end of the show. Check them out! 

The Art of Yes – [From the Facebook Page] “Welcome to The Art of Yes! Our goal is to inspire others, share knowledge, and provide a forum for asking questions about improvisational theater (otherwise known as improv). All posts will be moderated, and we kindly ask you to refrain from advertising any shows or local events. We encourage you to invite friends, family, coworkers, basically anyone who is or may be interested in improv, to join the community. Hope you enjoy reading the Art of Yes as much as we enjoy creating it!” 

Today Improv – [From the Facebook Page] “Today Improv is a Los Angeles based company teaching improv for actors, improv for business and improv for everyone else. Change your life”

Improv MKE [From their website] – “What if you opened an improv theater and school that brought teachers from all over the country and the world who can teach others some of the things you’ve learned over the years and continue to learn yourself? That’s what Improv MKE LLC is all about! The organization is designed to create access, both in-person and online, for people to have fun, learn, grow, and play together in ways they never thought possible! Thanks for coming by. We hope you stay to play with us. YES AND, we also do corporate stuff! Entertainment, workshops, and custom-created programs and training are available! We do it ALL!! Mainly because Michelle is no longer a baby, and has a team.”

The Black Improv Alliance – [From the Facebook Page] “The Black Improv Alliance provides a space for improvisers of African descent to build worlds and tell their authentic stories unapologetically! We are committed to dismantling white supremacy in improv, one scene at a time.”

Thank You for Listening

Standard

I’m Going To Take That Class!

I was going to take that class, but…

Man I’m going to sign up
For that class!
But this really fun side project came up
That has a quick turnaround
Next time

Man I’m going to sign up
For that class!
But I’m directing this show
That I have a month
To put together and market
Next time

Man I’m going to sign up
For that class!
But I’m doing these back to back
Practice groups
That give you a class feel
But with more personalized attention
Next time

Man I’m going to sign up
For that class!
But I got a show that day
And a rehearsal at the same time
A week after with another show
In the same spot two of weeks after
Next time

Man I’m going to sign up
For that class!
But I’m hosting a weekly writers meeting
That meets at the same time as the class
Next time

Man I’m going to sign up
For that class!
But fuck man
I’m tired from all the shit I’m doing
And I need to take a week off
And the only week I’m able to
Is the same week as week 1
Of a class that allows 2 absences
And I need to be strategic
About those absences

Fuck it!
I’m doing it because I’m ready

School goes on hiatus
Because of COVID-19
Damn, that sucks

School collapses from within
Because of internal racism and
Structural inequality
And BIPOC holding them accountable
Hell yeah, that’s amazing

I’m going to have to wait for that class I guess

Oh well!

Better go work on a side project!

Who wants to write a show
And put up in 46 hours?

162.20 #poem #improv #sketch #writer #performer #theatre #revolution #school #bipoc #director #producer #latinx #action #intent

Standard